The photographs that Nacho Alonso captures in his travels through the dark side of the day are not foreseeable. What he gives us is something else , another photo. Neither postcards, nor the essence of the places , not even the precise and futile moment. His gaze is different and if he doubts, he prefers to save the shot.”I would prefer not to.” Bartleby whispers . Distracted portraits in a ghetto of drug addicts, apathetic cartographies of bad living, bohemians without score…Nacho is the photographer of a second-hand night, twenty four hours. And the result is irregular, authentic and intense. ”

(Juañ Gallego)